• Art
  • Collages
  • To See Anew
  • The Shaman
  • Portraits - Painting With A Camera
  • Painting With A Camera - Oil Pastel
  • Collage Layout
  • A Literature Of Ideas - Paper Portraits
  • Painting With A Camera - Art
  • Jenna Annunziato – Portraits
  • A Literature Of Ideas
  • Mediated Images
  • AR (Augmented Reality) Art
  • Printist Interview
  • To Juxtapose The Past With A Fixed Time And Place
  • Paintings On Paper
  • Painting With A Camera - Flowers - Series 2
  • Abstracting and Erasing
  • Digital Build: Methods Of Thinking
  • A Report From The Edge Of Consciousness
  • Honor Thy Error As A Hidden Intention
  • Painting With A Camera: Flowers - Series 1
  • Art Montage: Fractal Consciousness
  • 31 Details From A Photograph
  • The Surface Of The World
  • Film - Six Minutes And Twenty Seven Seconds
  • Photomontage - Sequence 4
  • Photomontage - Sequence 6
  • Photomontage - Sequence 1
  • IMAGE AND WORD: A Book of Hours
  • PAST MOMENTS, OLD DREAMS
  • DREAM JOURNAL: THE BACKROOMS (OF MEMORY)
  • About
Michael P. Toussaint
  • Art
  • Collages
  • To See Anew
  • The Shaman
  • Portraits - Painting With A Camera
  • Painting With A Camera - Oil Pastel
  • Collage Layout
  • A Literature Of Ideas - Paper Portraits
  • Painting With A Camera - Art
  • Jenna Annunziato – Portraits
  • A Literature Of Ideas
  • Mediated Images
  • AR (Augmented Reality) Art
  • Printist Interview
  • To Juxtapose The Past With A Fixed Time And Place
  • Paintings On Paper
  • Painting With A Camera - Flowers - Series 2
  • Abstracting and Erasing
  • Digital Build: Methods Of Thinking
  • A Report From The Edge Of Consciousness
  • Honor Thy Error As A Hidden Intention
  • Painting With A Camera: Flowers - Series 1
  • Art Montage: Fractal Consciousness
  • 31 Details From A Photograph
  • The Surface Of The World
  • Film - Six Minutes And Twenty Seven Seconds
  • Photomontage - Sequence 4
  • Photomontage - Sequence 6
  • Photomontage - Sequence 1
  • IMAGE AND WORD: A Book of Hours
  • PAST MOMENTS, OLD DREAMS
  • DREAM JOURNAL: THE BACKROOMS (OF MEMORY)
  • About

1

The Old Guidebooks Are No Longer A Light That Illuminates: A Cut-up Text: Scattered across the table are pictures, the transition. Fading. All Fading. Like the evening map of the world behind the silent black of night. The moorings of a fixed time and place, words no longer came. The old writer had spent most of his paints and inks. He then went back and he wrote daily and published regularly. He found he often dreamed of new montages on his worktable; keep it in flux.

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