• Art
  • Painting With A Camera - Art
  • Jenna Annunziato – Portraits
  • A Literature Of Ideas
  • Mediated Images
  • AR (Augmented Reality) Art
  • Printist Interview
  • To Juxtapose The Past With A Fixed Time And Place
  • Paintings On Paper
  • Painting With A Camera - Flowers - Series 2
  • Abstracting and Erasing
  • Digital Build: Methods Of Thinking
  • A Report From The Edge Of Consciousness
  • Honor Thy Error As A Hidden Intention
  • Painting With A Camera: Flowers - Series 1
  • Art Montage: Fractal Consciousness
  • 31 Details From A Photograph
  • The Surface Of The World
  • Film - Six Minutes And Twenty Seven Seconds
  • Photomontage - Sequence 4
  • Photomontage - Sequence 6
  • Photomontage - Sequence 1
  • Sporadic News
  • About
Contact
Michael P. Toussaint
  • Art
  • Painting With A Camera - Art
  • Jenna Annunziato – Portraits
  • A Literature Of Ideas
  • Mediated Images
  • AR (Augmented Reality) Art
  • Printist Interview
  • To Juxtapose The Past With A Fixed Time And Place
  • Paintings On Paper
  • Painting With A Camera - Flowers - Series 2
  • Abstracting and Erasing
  • Digital Build: Methods Of Thinking
  • A Report From The Edge Of Consciousness
  • Honor Thy Error As A Hidden Intention
  • Painting With A Camera: Flowers - Series 1
  • Art Montage: Fractal Consciousness
  • 31 Details From A Photograph
  • The Surface Of The World
  • Film - Six Minutes And Twenty Seven Seconds
  • Photomontage - Sequence 4
  • Photomontage - Sequence 6
  • Photomontage - Sequence 1
  • Sporadic News
  • About
Contact

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He would then integrate these with the dead. In this way, time and space, watercolors or inks. The images were the extension, he was as well. This offered expanded time by juxtaposing the past with the moorings of a fixed time and place. The book was becoming the collapse of spacetime itself.

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